Delirio y Cordura (Delirium and Sanity)

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Delirio y Cordura (Delirium and Sanity): Chilean Contemporary Jewelry

July 9 – August 10, 2014

An exhibition catalog is available.

Carolina Gimeno, Yessica Bordón, Rocco Napoli, María Eugenia Muñoz, Verónica Pérez Artigas, Claudio Pino, Rafaela Pruzzo, Nano Pulgar, and Paola Raggo will be present at the Opening Reception.

Special Saturday morning lectures by Carolina Gimeno, Nano Pulgar and Paola Raggo speak about Contemporary Jewelry in Chile.  July 12, 11am 12 noon.  Refreshments will be served.  Don’t miss this special event!

In the ten years since Joyas Jóias, Velvet da Vinci’s first exhibition of Latin American jewelry, there has been a growing awareness and appreciation for the achievements of contemporary jewelers in Mexico, Argentina, Peru and Brazil. For our exhibition, Delirio y Cordura (Delirium and Sanity) we concentrate on contemporary Chilean jewelry artists. Each jeweler was inspired by the themes of delirium and sanity, choosing one or both concepts. The idea of harmony and balance versus  insanity and irrationality influence the creation of each work through an exploration of shape, color, material, and concept.  Chaos, out of order.

Participating Artists:

Carolina Gimeno, Carolina Hornaüer, Claudia Correa, Claudio Pino, Francisco Ceppi, Gabriela Fissore, María Eugenia Muñoz, María Ignacia Walker, Nicolás Hernandez, Paola Raggo, Pía Walker, Rafaella Pruzzo, Rocco Napoli, Valentina Rosenthal, Verónica Pérez Artigas, Walka, Yessica Bordon
Preview of Highlighted Works:
Walke Studio Velvet da Vinci

Walka, T-Oro Sagrado Bull horn, gold plating brass, steel 6 x 6 x 4.5 cm

Carolina Gimeno Velvet da Vinci

Carolina Gimeno, Encounter IV, Brooch Birch, sterling silver 13 x 11 x 5 cm

Nicolas Hernandez Velvet da Vinci

Nicolas Hernandez, Este colgante no te traerá suerte, Pendant: oxidizad copper, silver 999, fire enamel, 9 x 8 x 0.5 cm

Maria Eugenia Munoz Ring: Delirium Tremensdoscópicos Sterling silver, copper, acrylic, mirror, Swarovski crystal 4.5 x 2.5 x 3 cm

María Eugenia Muñoz, Ring: Delirium Tremensdoscópicos, Sterling silver, copper, acrylic, mirror, Swarovski crystal, 4.5 x 2.5 x 3 cm

​Maria Ignacia Walker Rings: Corales de Madera Wood

María Ignacia Walker, Rings: Corales de Madera, Wood

Valentina Rosenthal Brooch: De Lirios session 3 Enamel, polyurethane, silver 12 x 6 cm

Valentina Rosenthal, Brooch: De Lirios session 3, Enamel, polyurethane, silver, 12 x 6 cm

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Carolina Hornaüer, Brooch: Ismos #1 Rigid polystyrene foam, japanese lacquer, silver, enameled stoneware ceramic 7 x 6 x 7 cm

Gabriela Fissore Piece: Cor Silver, copper, japanese lacquer 19cm

Gabriela Fissore, Cor, Silver, copper, japanese lacquer, 19cm

Paola Raggo Necklace: Caos al viento Sterling silver, stainless steel, resin, impression 6.7 x 4 x 4 cm, chain length: 37 cm

Paola Raggo, Necklace: Caos al viento, Sterling silver, stainless steel, resin, impression, 6.7 x 4 x 4 cm, chain length: 37 cm

Pia Walker Pendant: Rotamiento Steel, copper, acrylic, aluminium

Pía Walker, Pendant: Rotamiento, Steel, copper, acrylic, aluminium

Claudio Pino Velvet da Vinci

Claudio Pino Ring: Tactus Sterling silver, brass, copper, moonstone, pink tourmaline

Rafaella Pruzzo Necklace: Molindore Oxidized silver, book pages 21 x 18 x 5 cm

Rafaella Pruzzo, Necklace: Molindore, Oxidized silver, book pages, 21 x 18 x 5 cm

Claudia Correa Necklace: Rochard 1 Sterling silver, copper, brass, patina 20 x 12 cm

Claudia Correa, Necklace: Rochard 1, Sterling silver, copper, brass, patina, 20 x 12 cm

​Francisco Ceppi Ring: Hands Up This is a Jewelry Sterling silver, resin, plastic 6 x 3.5 cm

​Francisco Ceppi, Hands Up This is a Jewelry, Sterling silver, resin, plastic, 6 x 3.5 cm

Veronica Perez, Brooch: silver 970, gold 18, pearl, 3.5 x 2.2 cm

Verónica Pérez Artigas, Brooch: silver 970, gold 18, pearl, 3.5 x 2.2 cm

Yessica Bordon, La Templanza, oxidized silver with murano glass drops

Yessica Bordon, La Templanza, oxidized silver with murano glass drops

The exhibition is curated by Paola Raggo, Claudia Correa, and María Eugenia Muñoz Curbelo. A special thank you to Consejo Nacional de la Cultura y las Artes, (National Council for Culture and the Arts), Chile.  Additional support from Delirios Contemporaneos and The Canada Council for the Arts.

Additional Credits:

Project Coordinator – Director / María Eugenia Muñoz Curbelo

Guest Collaborator – Project Coordinator/ Claudio Pino

Producer – Designer / Verónica Pérez Artigas

Assistant / Rafaella Pruzzo

Photographer / Karen Clunes

To download the full press release for the exhibition, please click here: PRESS RELEASE

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Joanna Gollberg: Collected: An Exploration of Travel Through Jewelry

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Joanna Gollberg’s most recent body of work considers the experiences of travel, observation, and enlightenment through the form of jewelry.  Inspired by her own personal collection of coral, shells, and other keepsakes gathered while traveling the world, the exhibition will feature an exciting new series created from precious and semi precious materials, as well as found objects.  Found in Mexico, Western North Carolina, India, Sri Lanka, Thailand, and Vietnam, these tokens serve as a physical reminder of the place from which they came, their histories, and the artist’s connection to each experience.  The exhibition will also include a selection of documentary photographs, taken by the artist on each trip.

On this pivotal new body of work, Gollberg writes:  

I had never before given myself permission to use (these elements) in my jewelry, because they were physical objects that kept me connected to places that made my whole heart feel crushingly full…  I chose to use techniques that I rarely employ in my day to day jewelry making life—mold making, wax carving, casting, enameling which gave me deep pleasure. I freely used gemstones and materials that suited each piece,disregarding any pre-planned price structure… The results are twofold: I am spiritually refreshed and ready to re-enter my work life anew, and I have created a body of work that is personally meaningful, yet still beautiful and true to my aesthetic.”

With a Jewelry Design degree from FIT in New York City, Gollberg has been creating and exhibiting unique wearable objects since 1997.  A well-known and respected author, she has written four books on handcrafted jewelry: Making Metal JewelryCreative Metal CraftsThe Art & Craft of Making Jewelry, and The Ultimate Jeweler’s Guide.  Her work has been included in gallery and museum exhibitions across the US and has been featured in international publications such as Art Jewelry MagazineLapidary JournalOrnament Magazine1000 Rings500 Wedding Rings500 Enameled Objects, and 21st Century Jewelry.   Currently based out of Asheville, North Carolina, the artist also teaches at noted craft institutions such as the Penland School of Crafts and Arrowmont School of Arts & Crafts.

CLICK HERE to download a full press release for the exhibition.

Highlighted Works:
JG_Azul y Shell pendientes moldeados_Earrings

Joanna Gollberg, Azul y Shell pendientes moldeados (Earrings), Sterling Silver, Blue Topaz, Shell (Mexico), Concrete (Mexico), Plastic (Mexico), Beads: Turquoise, Iolite, Green Turquoise

JG_Wng thxng kab kheluxb si fa laea heawn muk_Ring

Joanna Gollberg, Wng thxng kạb khelụ̄xb s̄ī f̂ā læa h̄æwn muk วงทองกับเคลือบสีฟ้าและแหวนมุก (Ring), 18K Yellow Gold, Sterling Silver, Freshwater Pearl, Blue Enamel (on cast shell from Mexico)

JG_El collar de citrino amarillo y otras cosas_Necklace

Joanna Gollberg, El collar de citrino amarillo y otras cosas (Necklace), Sterling silver, Yellow rock (Mexico), brown glass (Western NC), citrine, coral (Mexico), yellow enamel, Citrine beads

JG_Image3

Joanna Gollberg, El Grande Collar de los Coralinos (Necklace) Sterling silver, Coral (Mexico), Hydro Peridot, Peridot, Apatite, Turquoise, Lab Sapphire, Topaz, Chalcedony

JG_pendientes de cristal verde opalo y coral fundido_Earrimgs

Joanna Gollberg, pendientes de cristal verde, ópalo, y coral fundido (Earrings), Sterling silver, Green Glass (Mexico), Sunstone, Peridot, Emerald, Opal

JG_Red Pop Top Coral Earring

Joanna Gollberg, Red Pop Top & Coral Earrings, Sterling Silver, Aluminum (Western NC), Garnet, Coral, Simulated Ruby

JG_Image4

JG_Sithrin laea peluxk hxy tang hu Teo_Earrings

Joanna Gollberg, Sithrin læa pelụ̄xk h̄xy t̀āng h̄ū Teo k̄hā ซิทรีนและเปลือกหอยต่างหูสองข (Earrings), Sterling Silver, Citrine, Shell (Thailand)

JG_sam tang hu hin thi mi peluxk hxy_Earrings

Joanna Gollberg, S̄ām t̀āng h̄ū h̄in thī̀ mī pelụ̄xk h̄̂xy สามต่างหูหินที่มีเปลือกห้อย (Earrings), Sterling Silver, Blue Chalcedony, Green Glass (Mexico), Concrete (Mexico), Blue Sapphire

JG_Mrkt læa srxy khx ngein bath_Necklace

Joanna Golberg, Mrkt læa s̄r̂xy khx ngein bāth มรกตและสร้อยคอเงินบาท (Necklace), Black Acrylic, Yellow Diamond (.10 ct), Green Enamel (On cast Thai Baht), Green Onyx, Rough Emerald, Peridot, Shell (Mexico), Lemon Quartz, Malachite, Beads: Emerald

JG_Image6

JG_Hare kanca aura lakha jhumake_Earrings

Joanna Gollberg, हरे कांच और लाख झुमके Harē kān̄ca aura lākha jhumakē (Earrings), Sterling Silver, 18K Gold Bi-metal, Citrine, Green Glass (Mexico), Green Onyx, Lac Jewelry Pieces (India)

JG_Gama aura khola broca_Brooch

Joanna Gollberg, गम और खोल ब्रोच Gama aura khōla brōca (Brooch), Sterling Silver, Blue Pottery Shard (Western NC), Lapis, Amethyst Crystal, Amethyst, Dried Gum (Mexico), Pink Opal, Concrete (Mexico), Turquoise, Green Enamel (On cast shell from Mexico), Green Onyx

JG_el collar de la garra del cangrejo_Necklace

Joanna Gollberg, el collar de la garra del cangrejo (Necklace), Sterling Silver, Blue Chalcedony, Crab Claw (Mexico)

JG_Image1

JG_Ninta civappu rattina puttar kataṇika_Earrings

Joanna Gollberg, Nīṇṭa civappu rattiṉa puttar kātaṇika நீண்ட சிவப்பு ரத்தின புத்தர் காதணிகள் (Earrings), Sterling Silver, Garnet, Shell (Mexico), Pink Tourmaline, Ruby, Antique Carved Ivory (India)

JG_Rosa Shell Circulo Pendiente_Earrings

Joanna Gollberg, Rosa Shell Circulo Pendiente (Earrings), Sterling silver, 18K gold Bi-metal, blue topaz, pink opal, shell (Mexico), Rubelite

JG_El Anillo de coral fundido y Turmalina_Ring

Joanna Gollberg, El Anillo de coral fundido y Turmalina (Ring), Sterling silver, Pink Tourmaline

JG_Image5

JG_Rubi aura korala hara_Necklace

Joanna Gollberg, रूबी और कोरल हार Rūbī aura kōrala hāra (Necklace), Sterling silver, Coral (Mexico), Lab Ruby, natural faceted flat ruby, natural faceted rubies, Natural ruby rough, Carnelian

JG_Puttar poti maram nakaiya_Necklace

Joanna Gollberg, புத்தர் போதி மரம் நகையை Puttar pōti maram nakaiyai (Necklace), Sterling silver, Green Chalcedony, Blue Chalcedony, Sapphire

JG_Puttar vaḷaiyam_Ring

Joanna Gollberg, புத்தர் வளையம் Puttar vaḷaiyam (Ring), Sterling Silver, Ruby

JG_Image2

JG_Hathi Broca_Brooch

Joanna Gollberg, Hathi Broca हाथी ब्रोच (Brooch), Sterling silver, 18k gold bi-metal, freshwater pearl, Larimar, Shell (Mexico), Blue diamond (.10 ct)

Joanna Gollberg, புத்தர் போதி மரம் நகையை Puttar pōti maram nakaiyai (Necklace), Sterling silver, Green Chalcedony, Blue Chalcedony, Sapphire

JG_Blue Rock Necklace

Joanna Gollberg, Blue Rock Necklace, Pottery shard (My mom’d driveway), Stone (Western NC), Lapis

JG_Image8

JG_de color rosa pendientes de concha y rubi_Earrings

Joanna Gollberg, de color rosa pendientes de concha y rubí (Earrings), Sterling Silver, 18K Gold Bi-Metal, Lab-Created Rubies, Shell (Mexico), Pink Opal, Rubies (India)

JG_Klum xạỵmṇi læa krngleb srxy khx hxy_Necklace

Joanna Gollberg, Klùm xạỵmṇī læa krnglĕb s̄r̂xy khx h̄̂xy กลุ่มอัญมณีและกรงเล็บสร้อยคอห้อย (Necklace), Sterling silver, 18K Gold, Peridot, Carnelian, Malachite, Chrysoprase, Citrine, Shell

Garry Knox Bennett: Full Circle

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Mayfly, 2014, Wood, brass, sand, beads, paint, copper-plating, bronze-plating, paint, 11”h x 8”w x 6”d.  Photo: Hap Sakwa

Garry Knox Bennett: Full Circle 
October 1 – 31, 2014
Opening Reception: Friday October 3, 6 – 8pm

American furniture maker, woodworker, and metal artist Garry Knox Bennett has been celebrated for his innovative sculptural and functional objects for over 40 years. Garry Knox Bennett: Full Circle marks the California native artist’s 80th birthday this October, highlighting a body of new works made in the spirt of the 1960’s. Inspired by his background as a jeweler and metal plater, the show will feature 50 sculptural roach clips, a popular item sold at the artist’s historic San Francisco shop Squirkenworks almost 4 decades ago. For one time only, Velvet da Vinci turns from gallery to head shop, in honor of Bennett’s important historic and contemporary contributions to the Craft field.

Bennett’s work can be found in the permanent collections of the Museum of Art and Design in New York, the De Young Museum in San Francisco, the Mint Museum of Arts and Design in Charlotte NC, the Museum of Fine Arts in Boston, the Oakland Museum, the San Francisco Museum of Modern Art, and Washington DC’s Smithsonian American Art Museum’s Renwick Gallery. A graduate of the California College of Arts And Crafts, Bennett was featured in a solo retrospective exhibition at the Museum of Art and Design in New York City in 2001 and has been the recipient of numerous awards such as the Smithsonian Museum’s Renwick Alliance Award (2011), the Furniture Society’s Lifetime Achievement Award (2004), the American Craft Council College of Fellows (1996), and the Merit Grant National Endowment for the Arts (1984). The artist has lived and works in Oakland, CA for nearly 40 years.

To download a full PDF Press Release for the exhibition, please CLICK HERE.

A Selection of Featured Works:

Garry Knox Bennett

Post-Modernist Dung-Beetle, 2014, Wood, brass, Tagua nut (vegetable ivory), beads, paint, sand copper, 8”h x 8 1/2”w x 4 1/2”d.

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Take Your Medicine, 2014, Antique bottle, silver spoon, cork, wood, paint, 6 1/2”h x 6”w x 4 1/2”d.

Garry Knox Bennett

Untitled (Carved Rattle-snake on Gold Ball), 2014, Wood, carved bone, Nevamar, brass, gold-leaf, 7″h x 4 1/2″w x 2 1/2″d.

Garry Knox Bennett

Oozer, 2014, Wood, aluminum, brass, epoxy, wing-nut, washer 6 3/4”h x 3 1/4”w x 3 1/4”d.

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Black Snake, 2014, Wood, brass, bead, 23kt gold-plating 5”h x 8”w x 3 1/2”d

Garry Knox Bennett

Dung Beetle with Red Ball, 2014, Wood, Tagua nut (vegetable ivory), brass, straw, sand, rocks, 6 1/2”h x 7”w x 5”d

Garry Knox Bennett

Dripping Fawcett, 2014, Brass, aluminum, lucite, ColorCore 7 1/2”h x 4”w x 4”d.

Garry Knox Bennett

X Ball, 2014, Wood, ColorCore, aluminum, brass, bolt 5 3/4”h x 5”w x 5”d.

Garry Knox Bennett

Untitled, 2014, Wood, brass, bronze – silver and 23kt gold-plating 8”h x 9”w x 4”d.

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Coral Snake, 2014, copper, Bond-O, paint, 10 1/2”h x 4 1/2”w x 4 1/2”d.

Garry Knox Bennett

Untitled, 2014, Wood, brass screws, 23kt gold-plating 7 1/4”h x 3 1/2”w x 3 1/2”d.

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Dracula, 2014, Burger King plastic Simpson character, brass, silver-plating & 23kt gold-plating, 9”h x 3 1/2”w x 3 1/2”d. Photo: Hap Sakwa

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Making More Dung-Beetles, 2014, Wood, Tagua nut (vegetable ivory), copper, beads, sand, bronze-plating, 8”h x 10 1/4”h x 6 1/4”d. Photo: Hap Sakwa

Garry Knox Bennett

Untitled (Clip and Stash), 2014, Brass, bronze-plating, 23k gold-plating, 7 3/4″h x 4 1/2″w x 4 1/24″d.

Garry Knox Bennett

Multi-axis Spindle Twirling with Gizmo, 2014, Wood, brass, paint 8”h x 3”w x 1”d.

Garry Knox Bennett

Golgatha, 2014, Wood, Nevamar, brass, copper, 23kt gold-plating 13”h x 8”w x 7”d.

Garry Knox Bennett

Cluster-f– 2, 2014, Wood, brass, 23kt gold plating, 6 1/2″h x 4 1/8″h x 4 1/8″d.

Garry Know Bennett

Untitled (Painted Twirling), 2014, Painted twirling wood, brass, copper, 9 1/2″h x 4 1/8″w x 4 1/2″d.

Garry Knox Bennett

Arachnid Attack, 2014, Wood, brass, beads, sand, copper, paint, flocking, bronze-plating, 23kt gold-plating, 10 1/4”h x 7”w x 4 3/4”d.

Garry Knox Bennett Studio

Garry Knox Bennett in his Oakland, CA studio, with the original sign from his Union Street SF shop, Squirkenworks.

Amy Tavern: In Between / I Live Here Now

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October 18 – 31, 2014
Artist Talk: Saturday, October 18, 7pm
Opening Reception: Saturday, October 25, 6-8pm

 

In conjunction with her artist residency at the California College of the Arts, Velvet da Vinci is proud to present Amy Tavern’s recent body of work “I Live Here Now” and a site specific installation “In Between” at Velvet da Vinci.

I’ve been without a home by circumstance and by choice for several years. In 2012, I began traveling in the US and abroad for my work, rarely spending extended periods of time in any one location. This new lifestyle made me realize I don’t know where I want to live, and I find myself searching for this seemingly elusive place today. While I am content to be without a home, I long for that one place where I feel most myself, a place where I want to stay. In an effort to find what I’m looking for, I was compelled to define and redefine home through research, writing and object making, as well as examining my past, my present and my future. 

Artist Statement:

Over the past year, I have explored ideas of home in three distinctive places. Arriving in Iceland for the first time, I felt attune with myself and with my surroundings in a way I had never felt before. The pieces I made in a two-month residency there illustrate feelings of belonging and of being found. In my childhood home in New York, I reflected on my relationships with my family as well as relationships with the places I’ve lived in the United States. The foundation of my artistic sources and countless other details were revealed as I considered individual people and locations. Further, through all the places I have traveled, I have become keenly aware of my ability to find home in the unknown. In all of these places, Iceland, the US and countries abroad, I examined memories and focused on things that carry emotional weight. I also relied on the language of jewelry, looking to a variety of historical forms for guidance. 

“I Live Here Now” represents what home means to me as well as the memories and emotions associated with the different places that are a part of my collective home. Jewelry, objects, text, photographs, ritual, arrangements and installation serve to demonstrate my ideas and to establish a unique narrative. Ultimately, I know my home is the place where I am truly myself, and, essentially, I know now that I don’t need a physical location to call home; my home is me and it is wherever I am.

– Amy Tavern

Featured Images:

Amy Tavern, I Can Only Stay Away for So Long No. 1-7, 2014, Icelandic wool

Amy Tavern, I Can Only Stay Away for So Long No. 1-7, 2014, Icelandic wool

Amy Tavern, Since 1882, Since 1976, 2014, Stones from the foundation of my childhood home, sterling silver, vintage velvet jewelry box

Amy Tavern, Since 1882, Since 1976, 2014, Stones from the foundation of my childhood home, sterling
silver, vintage velvet jewelry box

Amy Tavern, Since 1882, Since 1976, 2014, Stones from the foundation of my childhood home, sterling silver

Amy Tavern, Since 1882, Since 1976, 2014, Stones from the foundation of my childhood home, sterling silver

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Caroline Gore …mercurial silence…

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Velvet da Vinci, Caroline Gore, Revenir (performed), Tintype 2013, Photo: Mary Whalen

Caroline Gore, Revenir (performed), Tintype 2013, Photo: Mary Whalen

Caroline Gore …mercurial silence…

November 5-30, 2014

Artist’s Reception: Friday, November 7, 6-8 pm

To read a recent Art Jewelry Forum interview with the artist, CLICK HERE.

Caroline Gore’s recent series …mercurial silence… is the culmination of an investigation of how grief and loss manifest in society.  This body of work considers comparative meanings sought through the multidisciplinary research of historical jewelry, Roman myth, photographic materials, and functional/sculptural objects as they relate to commonalities across human experience.

With an undergraduate degree in Crafts (jewelry focus) from Virginia Commonwealth University and a graduate degree in Metal Design from East Carolina University, Gore is known on a national level for her expansive and thought provoking studio practice.  Ranging from small-scale wearable pieces to multimedia sculptural installations, large scale drawings, and conceptual photographic objects, Gore’s work be found in the permanent collection of The Museum of Fine Arts in Houston, the Racine Art Museum, and numerous private collections.  Her jewelry has been featured in group and solo exhibitions across the US, in addition to publications such as Metalsmith Magazine and the 500 series books published by Lark Books.  The artist currently lives and works in Philadelphia, Pennsylvania, where she serves as an Associate Professor of Jewelry/Metals in the Craft & Material Studies program at The University of the Arts. 

To download a full PDF Press Release for the exhibition, please CLICK HERE.

A Selection of Featured Works:

Caroline Gore, Detail of Collide (performed), Tintype, brass, 8 x 10 inches, 2013, photo: Mary Whalen

 Caroline Gore, Detail of Collide (performed), Tintype, brass, 8 x 10 inches, 2013, photo: Mary Whalen


Caroline Gore, Detail of Collide (performed), Tintype, brass, 8 x 10 inches, 2013, photo: Mary Whalen

Caroline Gore, Detail of Collide (performed), Tintype, brass, 8 x 10 inches, 2013, photo: Mary Whalen

Caroline Gore, Detail of Collide (performed), Tintype, brass, 8 x 10 inches, 2013, photo: Mary Whalen

Caroline Gore, Detail of Collide (performed), Tintype, brass, 8 x 10 inches, 2013, photo: Mary Whalen

Caroline Gore, Detail of Collide (performed), Tintype, brass, 8 x 10 inches, 2013, photo: Mary Whalen

Detail of: Collide (performed in three successions), Tintype, brass, 8 x 10 inches, 2013 , Photo: Mary Whalen

Detail of: Collide (performed in three successions), Tintype, brass, 8 x 10 inches, 2013 , Photo: Mary Whalen

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Caroline Gore, Brooch, 2014

Caroline Gore

Caroline Gore, Chorus, 2013, Reclaimed wood (cherry) from inherited furniture, brass
, overall dimensions of groupings are variable

Caroline Gore

Caroline Gore, Revenir, for Niobe (performed), 2014, Tintype (Mary Whalen), oxidized sterling silver, brass, leather

Caroline Gore, Seven Dresses, 2014

Caroline Gore, Seven Dresses, 2014

Carloine Gore

Installation View

Tom Hill: Buckle

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Tom Hill Buckle

Tom Hill: Buckle
January 21 – February 28, 2015
Opening Reception: Friday January 23, 6-8 pm

 

Tom Hill is a sculptor, draftsman, and jeweler whose work is an exploration of the natural world, most notably in sculptural objects depicting birds and animals in motion.  Utilizing materials such as mild steel wire, copper, enamel, pigments, and most recently hand-dyed and found textiles, the artist creates objects that often imply, in effect, a three-dimensional “sketch.”  His most recent series of wearable pieces examines a commonly underappreciated object – the belt buckle.  Both ornamental and operational in nature, the belt buckle simultaneously serves as a clasp for fastening two ends and a personal statement of individuality.  Hill’s one-of-a-kind buckles play with this notion of form vs. function, exploring aesthetic and functional methods of binding, stitching, and joining. From the summation of many parts, one individual object is fastened. Keeping your pants up, artfully.

Born in Rochford, Essex, England, Hill studied at Ipswich School of Art and Middlesex University, London and currently lives and work in San Francisco.  His work has exhibited at museums and galleries on an international level; highlights include solo exhibitions at ARTspace at the John Michael Kohler Arts Center (Sheboygan, WI), the Fuller Craft Museum (Brockton, MA), and the De Morgan Centre, (London, UK).  The artist’s pieces can be found globally in corporate, public, and private collections; notable commissions include projects for the Hyatt Regency Hotel (Tampa, FL), the BBC Symphony Orchestra (London, UK), and the John Lewis Department Store (Southampton, UK).  His work has been included in numerous publications such as Metalsmith magazine (US),CRART Magazine (South Korea), as well as Lark Books’ 500 Broches and 1000 Rings.  Hill has been represented by Velvet da Vinci for nearly two decades.  

Tom Hill, Enamel Grid, 2014, Brass, copper, vitreous enamel, gold leaf

TomHillBlueMoon

Tom Hill, Blue Moon, 2014, Carved basswood, brass, enamel paint , acrylic paint , gesso , gold leaf

TomHill_WhiteBuckle

Tom Hill, Stitched White Canvas Oval, 2014, Block Printed Canvas, hand dyed cotton lawn, polyester thread, mild steel

Tom Hill, Stitched Vertical Bars, 2014, Hand dyed canvas, cotton lawn, polyester thread, mild steel

TomHill_LargeOwlHead

Tom Hill, Large Owl Head, 2015, Mild Steel

TomHill_6Squares

Tom Hill, Six Squares, 2014, Carved basswood, brass, acrylic paint, white gold leaf

TomHill_WireOblong

Tom Hill, Wire Oblong, 2014, Mild Steel

TomHill_SpiralPair

Tom Hill, Spiral Pair, 2015, Mild Steel, gold leaf

TomHill_RedSquare

Tom Hill, Red Square, 2015, Carved basswood, copper, brass, gesso, acrylic paint

TomHill_StitchedHoops

Tom Hill, Stitched Hoops, 2015, Hand dyed cotton, found denim, polyester thread, mild steel

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Tom Hill, Studio View, 2015

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Tom Hill, Buckle Sketch 1, 2014

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Tom Hill, Buckle Sketch 2, 2014

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Tom Hill, Buckle Sketch 3, 2014

To download a PDF of the full press release, CLICK HERE.

Jane Dodd: Rococo Revolution

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January 21- February 28, 2015
Opening Reception: Friday January 23, 6-8 pm

Inspired by a recent tour of European museums, palaces, and treasure houses, Jane Dodd: Rococo Revolution illustrates the artist’s simultaneous experience of seduction and repulsion to the sumptuous and decadent housing of these elite collections. Referencing a contemporary interpretation of the late Baroque aesthetic, Dodd’s meticulously carved bone and wood pieces take the form of wearable objects, each representing symbolic elements drawn from the natural world.  According to the New Zealand based artist:

Rococo Revolution… illustrates my discomfort with the way we hoover up wildlife and environment for our own frivolous ends. With these pendants I want to honor the simple, elegant forms of the animal world. The subject of the brooches is the battle between nature and culture. The collection of works pays homage to the crazy and rich craft traditions of the Rococo Age.”

Prior to studying 3D Design/Jewelry at the Unitec Institute of Technology in Auckland, Dodd earned a BA in the Phenomenology of Religion with additional papers in Anthropology, Art History, Maori Language and Philosophy from the University of Otago. Her jewelry has appeared in publications such as the book 21st Century Jewellery: the best of the 500 series and can be found in the permanent collections of the Museum of New Zealand Te Papa Tongarewa, The Dowse Art Museum (NZ), and Hawkes Bay Museum (NZ).  With a background in both music and the arts, Dodd is also known on an international level for her role as a bass player in influential punk bands such as The Chills and The Verlaines.  She presently lives and works in the city of Dunedin, New Zealand.  

To read a recent Art Jewelry Forum interview with the artist, CLICK HERE.

14 Bits #1. Tails and paws and teeth and… Relics of martyrs, 2014 Pendant: Lignum vitae, beef bone, ebony, boxwood, dye, sterling silver

Jane Dodd, 14 Bits #1. Tails and paws and teeth and… Relics of martyrs, 2014, Pendant: Lignum vitae, beef bone, ebony, boxwood, dye, sterling silver

Jane Dodd, 14 Bits #2. Tails and paws and teeth and… Relics of martyrs, 2014 Pendant: Lignum vitae, beef bone, ebony, boxwood, dye, sterling silver

Jane Dodd, 14 Bits #2. Tails and paws and teeth and… Relics of martyrs, 2014, Pendant: Lignum vitae, beef bone, ebony, boxwood, dye, sterling silver

Jane Dodd, A Jungle Incident, 2014 Brooch: Lignum vitae, ebony, 18k gold, ruby, sterling silver

Jane Dodd, A Jungle Incident, 2014, Brooch: Lignum vitae, ebony, 18k gold, ruby, sterling silver

Jane Dodd, Fuchsprellen, 2014 Brooch: Lignum vitae, beef bone, marcasite, sterling silver.

Jane Dodd, Fuchsprellen, 2014, Brooch: Lignum vitae, beef bone, marcasite, sterling silver

Jane Dodd, Wrestling, 2014, Brooch: Mother of pearl, sterling silver, pearls, garnet.

Jane Dodd, Wrestling, 2014, Brooch: Mother of pearl, sterling silver, pearls, garnet

Jane Dodd

Jane Dodd, Roast, Cook fast at 200°, or slow at 140°, Ebony, beef bone, 9k gold, sterling silver, marcasite

Jane Dodd, 14 Bits, Pendant:, Wing, Ebony, sterling silver, 7 x 8 x 1.9 cm

Jane Dodd

Jane Dodd, An Eagerly Awaited Arrival, One Day Soon Fish Will Be… Lignum vitae, beef bone, marcasite, sterling silver

Jane Dodd, 14 Bits, Pendant: Tooth, Boxwood, sterling silver, 8.6 x 3.4 x 2.1 cm

Jane Dodd, 14 Bits, Pendant: Tooth, Boxwood, sterling silver, 8.6 x 3.4 x 2.1 cm

Jane Dodd, 14 bits, Pendant: Tongue, bone, dye, sterling silver, 110 x 37 x 24mm

Jane Dodd, 14 bits, Pendant: Tongue, bone, dye, sterling silver, 110 x 37 x 24mm

Jand Dodd, 14 Bits, Pendant: Paw, 2014, Ebony, sterling silver, 52 x 31 x 22mm

Jand Dodd, 14 Bits, Pendant: Paw, 2014, Ebony, sterling silver, 52 x 31 x 22mm

Jane Dodd, 14 Bits, Pendant: Black/White Tooth, 2014, Lignum vitae, dye, sterling silver, 8.8 x 5.8 x 2.2 cm

Jane Dodd, 14 Bits, Pendant: Black/White Tooth, 2014, Lignum vitae, dye, sterling silver, 8.8 x 5.8 x 2.2 cm

To download a PDF of the full press release, please CLICK HERE.

Adam Thorpe: Flowering

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VdV_AdamThorpe_PRimage

March 25 – April 26, 2015
Opening Reception: Friday, March 27, 6-8pm

 

Adam Thorpe’s Flowering, a 25ft installation on the gallery’s atrium wall, draws inspiration from the roadside memorial, where flowers are placed on a chain-link fence.  Working with basswood (Tilia americana), hand tools, chisels, and gouges, the artist has carved an intricate series of wilted blossoms and flowers in full bloom, each unique in its own ornate and commemorative nature.   Against the backdrop of the everyday chain-link fence, these elaborate objects become meditative manifestations of very idea of memorial.  Created using techniques beyond the confines of traditional woodcarving, the work also considers a meeting of the ornamental and sculptural, evoking a sense of intricacy and movement that is a commonly found in nature, as well as the artists hand.

Thorpe, an elected member of the UK’s Master Carver’s Association, started woodcarving at an early age in his father’s home workshop in England. He apprenticed with British Master Carver Ian Agrell, before studying drawing and modeling at the City and Guilds of London Art School. Since moving to the United States in 1992, he has worked on carving, restoration, and ornamental design for private residences and national museums, including the spectacular Salon Doré restoration project at the San Francisco Museum of the Legion of Honor.  He presently lives in Oakland, California.

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Flowering, Installation View, 2015, Carved basswood (Tilia Americana), chain-link fence

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Flowering, Installation View, 2015, Carved basswood, chain-link fence

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Head 1 and Wilted Series 1 (detail), 2015, Carved basswood, chain-link fence, sizes vary

Wilted Series 1, 2015, Carved Basswood, Approx. 13 X 4” each

Wilted Series 1, 2015, Carved Basswood, Approx. 13 X 4” each

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Wilted Series (detail), 2015, Carved Basswood, Approx. 13 X 4” each

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Wilted Series 2 (detail), 2015, Carved basswood, chain-link fence, sizes vary

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Daisy Chain (detail), 2015, Carved Basswood (Tilia Americana), Approx 3 ½ X 12” each

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Daisy Chain, 20 Piece Installation View, 2015, Carved Basswood (Tilia Americana), Approx 3 ½ X 12” each

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Relief Head 3, 2015, Carved Basswood, 5 X 3 X 5 ¾”

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Wilted Head 1, 2015, Carved Basswood, 4 X 3” (without stand)

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Black Flowers, 2015, Carved and dyed Basswood, Approx. 14 X 3” each

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Bunch 1, Carved Basswood, 12 X 6” dia

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Bunch 2, Carved Basswood, 10 X 5” dia

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The Salon Doré from the Hôtel de La Trémoille at the Legion of Honor. Photo Credit: Henrik Kam 2014

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Additional information and more images of The Salon Doré from the Hôtel de La Trémoille at the Legion of Honor can be found HERE.

To download a full PDF of the press release, CLICK HERE.