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Artist: Andy Cooperman, White Pong Nipple Brooch,
White Pong Nipple Brooch
Exhibition: Andy Cooperman & Lola Brooks
Artist: Andy Cooperman, Specula Wall Piece (detail),
Specula Wall Piece (detail)
Exhibition: Andy Cooperman & Lola Brooks
Artist: Andy Cooperman, Tiny Golden Medusa Sculpture,
Tiny Golden Medusa Sculpture
Exhibition: Andy Cooperman & Lola Brooks
Artist: Andy Cooperman, Tum Brooch,
Tum Brooch
Exhibition: Andy Cooperman & Lola Brooks
Artist: Andy Cooperman, In & Out Brooch,
In & Out Brooch
Exhibition: Andy Cooperman & Lola Brooks
Artist: Andy Cooperman, Squint (Large Ceiling Pendant),
Squint (Large Ceiling Pendant)
Exhibition: Andy Cooperman & Lola Brooks
Artist: Andy Cooperman, Chang & Eng (Collateral) Brooch,
Chang & Eng (Collateral) Brooch
Exhibition: Andy Cooperman & Lola Brooks
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Andy Cooperman

ARTIST'S STATEMENT

I remember as a boy opening an Edmund Scientific Supply catalogue to the page featuring paramecium cultures. The text described an entire world—invisible to the unaided eye—whirling away in a single drop of cloudy pond water. The notion that a complete universe could exist, literally at my fingertips, changed the way that I looked at everything. And it's from this perspective, through the lens of curiosity and examination that I most enjoy peering.
It is my aim, through my work, to offer a compelling reason for others to enter into the investigative process. The scale of jewelry is particularly well suited to this pursuit, allowing me to build dense and portable microcosms that draw one near, engendering intimate interactions.
The visual vocabulary that I choose is grounded in science. It relies on the combination and juxtaposition of industrial and naturally occurring forms such as accreted skins and rivets, or strapped and braced skeletal forms, to create metaphors for growth, decay and repair. These metaphors, I believe, offer insight into the wider and deeper issues that confront, confound and excite us throughout our lives. People should discover more about one of my pieces each time they pick it up.

COUNTRY OF RESIDENCE

USA

SELECTED EXHIBITIONS

SELECTED SOLO EXHIBITIONS

Portals, in conjunction with visiting artist program.Central College, Pella, IO, 2004

2004.

SELECTED GROUP EXHIBITIONS

All School Exhibition, Southwest School of Art and Craft, San Antonio, TX, 2006

100 Brooches, Nationally touring exhibition, 2006

Metalisms, Metropolitan State College Center for Visual Art, Denver, CO, 2005

Northwest Visits the Northeast, Society for Arts and Crafts, Boston, MA 2005

200 Rings, Velvet daVinci Gallery touring to Obsidian Gallery, 2004

Big/Little, Oakland Crafts and Cultural Arts Gallery, Oakland, CA, 2003

Chess, Velvet da Vinci Gallery, touring to Vennel Gallery, Scotland, Crafts and Council Shop, Victoria and Albert Museum, England, 2003

The Art of Gold, touring nationally, 2002

Contemporary Metalsmiths, Oklahoma State University, 2001

Marked By Media, Edinboro University, PA, 2000

The Ring, Mobilia Gallery, touring nationally, 2000

Sweden + USA, Velvet da Vinci Gallery, touring to Galleri Metallum, Sweden, 1999

Intrusions and Obfuscations, Susan Cummins Gallery, CA, 1999

Icons of the Twentieth Century, Nancy Sachs Gallery, St. Louis MO, 1999

Torch Songs, Tacoma Art Museum, Tacoma, WA, 1998

Unexpected Settings, Goldman's Jewelers, Seattle, WA, 1998

SELECTED PUBLICATIONS

American Jeweler

Ridges and Ripples, American Jeweler, June 1999

Marketing the Mystery, American Jeweler, February 2001

Design Challenge: Buried Treasure, American Jeweler, June 2002

Jewels of Art, American Style Magazine, Fall 2000

With This Ring, Artisan Northwest, Winter 2006

Small Worlds, Artisan Northwest, Spring 2006

From the Inside Out, Lapidary Journal, November, 1996

Granting a Wish, Lapidary Journal, June, 2000

The Many Faces of Shibuichi: Alloying, ingoting and Working with Shibuichi, Lapidary Journal, July, 2000

Metals Magnet, Lapidary Journal, January, 2001

10 Fortunate Fiascos, Lapidary Journal, May, 2006

Observations, Metalsmith, Spring, 1996

Commissions, Metalsmith, Spring, 2003

Reviews, Metalsmith, Winter, 2004

Exploiting the Random, Ornament Magazine, Spring, 1996





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